Shayla Robinson, “Refusals and Re-Creations: Imagining Utopia through Black Lesbian Affect in Modern Dance,” (2018), directed by Tiffany King

Katherine Nelson, “The Enduring Kind: Conceptions Of Freedom For An Unstable Present” (2018), directed by Megan Sinnott

Andreanna Nattiel, “Bringing Sex To Theory: Sensational Affinity, Pleasure, and Sexual Pedagogy” (2018), directed by Susan Talburt

Jennie Lambert, “Women’s Narratives of Their Experiences with the Diagnosis of Borderline Personality Disorder (BPD)” (2018), directed by Susan Talburt

Candice Merritt, “Our Sacrifice Shall Not Be Required: Examining Maternal Ambivalence and Refusal in Black Motherhood” (2018), directed Tiffany King

Lisa McGuire, “Talking about Clone Club: A Textual Analysis of Orphan Black” (2017), directed by Megan Sinnott

Sarah Abdelaziz, “Ratcheting a Way Out of the Respectable: Genealogical Interventions Into Atlanta’s Respectability Politics” (2017), directed by Tiffany King

Jainey Jung Yeon Kim, “Picturing Queer Death: Alternative Instantiations of Temporality within Process Art” (2017), directed by Susan Talburt

Samantha Pinson Wrisley, “Misogynists Have Feelings, Too: An Analysis of Circulating Affect in The Red Pill” (2017), directed by Susan Talburt

Jordan Forrest Miller, “‘I Wanna Know Where the Rule Book Is:’ YouTube as a Site of Couternarratives to Transnormativity” (2017), directed by Megan Sinnott

Lesia Pagulich, “Queering the Nation?: Analyzing the Politics of the LGBT Movement in Ukraine After the Maidan Protests” (2017), directed by Susan Talburt

Alexa Adamo Valverde, “‘In Black and White, I’m a Piece of Trash:’ Abuse, Depression, and Women’s Pathways to Prison” (2016), directed by Megan Sinnott

Sesali Bowen, “Bitches Be Like…: Memes as Black Girl Counter and Disidentification Tools” (2016), directed by Tiffany King

Sumita Dutta, “Spirits in the Food: A Pedagogy for Cooking and Healing” (2016), directed by Tiffany King

Nathan Frisch, “Alternative Modernization, Indigeneity, and Affective Capture in Contemporary Bolivia” (2016), directed by Susan Talburt

Megan Mabry, “Mapping Transgender Narratives in a Digital Age” (2016), directed by Susan Talburt

Syeda Mahmood, “Planning Obsolescence: Generational Labor, Welcoming Crisis, and Actualizing Immaterial Bonds” (2016), directed by Amira Jarmakani

Schillica Howard, “(De)Tangled: an Exploration of the Hierarchies in the Natural Hair Community” (2015), directed by Tiffany King

Kristyn Johnson, “Sexy Ambiguity and Circulating Sexuality: Assemblage, Desire, and Representation in Seba al-Herz’s The Others” (2015), directed by Amira Jarmakani

Ruby Kett, “Gendered Admission: Transinclusive Admissions Policies at Women’s Colleges” (2015), directed by Susan Talburt

Brandy Pettijohn, “‘You Can’t Pour From An Empty Cup’: Self-Care and Spiritual Activism in Queen Afua’s Sacred Woman” (2015), directed by Amira Jarmakani

Juliana Ramírez Rodríguez, “From Panic to Pity: Circuits and Circulations of the Contemporary Anti-Trafficking Crusade” (2015), directed by Amira Jarmakani

Cecilia Troiano, “‘Lean In,’ ‘Opt Out,’ and the Journey to Happiness: Brazilian College Women Imagine Freedom” (2015), directed by Susan Talburt

Kelsey Waninger, “The Veiled Identity: Hajibistas, Instagram and Branding in the Online Islamic Fashion Industry” (2015), directed by Amira Jarmakani

Taryn Jordan, “The Politics of Impossibility: CeCe McDonald and Trayvon Martin – The Bursting of Black Rage” (2014), directed by Amira Jarmakani and Tiffany King

Siobhan Cooke, “Cooking Up Authenticity: Latina Celebreties, Cookbooks, and Consumerism” (2014), directed by Amira Jarmakani

Sarah Beasley, “The Commercialization of the Atlanta Pride Festival: ‘Somebody’s Got to Pay for It’” (2014), directed by Megan Sinnott